
Autumn Landscape with Tree
Herbstlandschaft mit Baum
1910
Oil on cardboard
13 × 17.3" (33.0 × 44.0 cm)
In Murnau, a small picturesque town near Munich, Kandinsky's art began to change. His bold new approach to the simplicity of forms and the expressiveness of color was clearly influenced by the Fauvists, Gauguin, Van Gogh, and all the new things that his ever-inquisitive nature, always thirsty for new knowledge, absorbed during his tours of Europe.
His brushstrokes are so large now that they are no longer a part of creating shapes and forms — they become a form in themselves. Color is liberated from its descriptive function and powerfully reveals its own authentic expressiveness. The reality of the landscape dissolves in the search for authentic inner beauty.
His brushstrokes are so large now that they are no longer a part of creating shapes and forms — they become a form in themselves. Color is liberated from its descriptive function and powerfully reveals its own authentic expressiveness. The reality of the landscape dissolves in the search for authentic inner beauty.

Improvisation 10
Improvisation 7
Lake
Glass Painting with the Sun (Small Pleasures)
Murnau with a Church
Improvisation 19
Murnau. Garden
Improvisation 12 (Rider)
Sketch for "Composition II"
Improvisation 14
Improvisation 11
Improvisation 9
Concerning the Spiritual in Art
Cossacks (Part of the Composition IV)
Non-Objective
Mountain landscape with church
The Cow
Landscape with Factory Chimney
Lady (Portrait of Gabriele M}nter),
The Last Judgment
Sketch for "Composition II"
Interior. Gabriele Munter and Marianne von Werefkin
Church in Murnau
Murnau The Garden II
Improvisation on Mahogany
Study for landscape (Dünaberg)