In Murnau, a small picturesque town near Munich, Kandinsky’s art begins to change. His bold new approach to simplicity of forms and expressiveness of color was obviously influenced by fauvists, Gauguin, Van Gogh and all other things new that his nature of someone always being thirsty for new knowledge absorbed during his tours of Europe.

His brushstrokes are so large now that it no longer is a part of creating the shapes and forms, it is a form all in itself. The color is disengaged from its descriptive function and powerfully reveals its own authentic expressiveness. The reality of the landscape is dissolved in the searches for authentic internal beauty.

Timeline

1896 1897 1898 1899 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944