Tiefes Braun explores the relationship between simple geometric shapes and their colors in all their diverse interactions. The predominance of diagonals and angular geometric shapes is apparently inspired by the aesthetics of constructivism, in the atmosphere of which the artist was immersed during his stay in Russia in 1914-1921. Rounded and "natural" shapes can remind of the artist's early lyrical works. As for color, Kandinsky has always had a special relationship with him. See how, moving from shade to shade, he achieves color dynamics or, by superimposing one color on another, creates a depth effect.

In 1922, at the invitation of Walter Gropius, the artist joined the famous Bauhaus school. Among the free and talented designers, architects, artists, and engineers exploring and developing innovative practices, Kandinsky felt like he belonged. Communication with students and teachers fueled his creative energy, encouraging him to invent and create new things.

Timeline

1896 1897 1898 1899 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940 1941 1942 1943 1944