Wassily Kandinsky — Little Accents, 1940

Little Accents

Petits accents

1940

Oil on board

12.6 × 16.5" (32.0 × 42.0 cm)

New York, The Solomon R. Guggenheim Museum

1 comment

April 22

Robert: I had the pleasure of seeing this piece in person a few years back. I’m fairly certain the black lines were made with ink.

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Various Parts (1940) by Wassily Kandinsky

Composition (1940) by Wassily Kandinsky

Moderation (1940) by Wassily Kandinsky

Untitled (1940) by Wassily Kandinsky

Untitled (1940) by Wassily Kandinsky

Untitled (1940) by Wassily Kandinsky

Green and Red (1940) by Wassily Kandinsky

Untitled (1940) by Wassily Kandinsky

Composition (1940) by Wassily Kandinsky

Pink (Rose) (1940) by Wassily Kandinsky

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10 recent comments

October 29 — Antonieta : "Eu acho que deveria ter tons mais claros" »

October 22 — Lucia : "Pretty cool Art! I pretty like It 10/10" »

October 22 — Max from ohio : "i dont understand this painting on Geez" »

October 10 — Taylor : "It's really interesting how the image changed from the thumbnail to when I saw it enlarged. I imagine seeing it from afar in a museum and walking up to it must feel like a magical transformation!" »

September 14 — underscoreAye : "I think that this painting is more awesome than painting with white lines" »

September 14 — Isi : "Das Bild hängt seit Jahren in unserer Ambulanz. Es sieht aus wie ein Ritter auf seinem Pferd mit seiner Lanze und Schild. Und er reitet auf einem Pferd." »

August 31 — Der Blaue Victor : "This was the first picture of K’s that Gabriele Münter remembers seeing." »

August 17 — admin : "Hi Adam,Yes, it is the exact same artwork, widely known as "Red Sun and Ship". Its official catalog name is "Ein Speer" ("One Spit").As for the owner, the painting belongs to a private collection, and the specific owner's name is not publicly disclosed." »

August 16 — Adam Ørvad : "Is the not "Red Sun and Ship" (Krasnoe Solnce i Korabl)(1925)?? And do you know, who is the owner? Regards, Adam Ørvad" »

July 28 — Yves GUERRINI : "Cette composition illustre parfaitement la dernière manière de Kandinsky, lorsqu'il s'établit en France. Le biomorphisme et le lyrisme de cette œuvre pourrait faire penser aux formes biomorphiques que Miro commençait de peindre à cette époque." »