1922

We see a cross in the upper right corner as part of a checkerboard motif, which is often repeated in the works of this period, characterized by the use of geometric shapes. Though Kandinsky used the cross as an abstract element, it is undoubtedly symbolic, and as soon as we notice the element mentioned in the title on the canvas, our brain immediately starts looking for other symbols. For example, two shapes reminiscent of inverted (or mirrored?) threes seem to invite us to turn over (or reflect) the entire composition, which creates a certain feeling of weightlessness.

Ed de Vos : I saw this painting in the Peggy Guggenheim exibition in Venice, Italy

janice Ng from Hong Kong: I would like to know where the actual piece is so as the details of this painting.

More from 1922

More from Venice. Peggy Guggenheim Collection

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